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Life as the textile expert at a regional history museum
Showing posts with label Helen Igoe. Show all posts
Showing posts with label Helen Igoe. Show all posts

Sunday, October 26, 2014

Fashion and Independent Women

Next Saturday I will be reprising my lecture about Helen Igoe and Madame Thiry. If you missed it the first time, get your tickets now!!!


Revisiting this lecture has made me think about the interesting ways that fashion has opened the door for for women to forge their own path in the world. In eras where ladies of a certain social class were expected to marry and not to work outside the home, there were very few socially acceptable ways to be a businesswoman who called the shots. One of the ways was to do it in a "woman's interest" industry like fashion. I wish I could say that this thinking is completely behind us, but we know that married women who work still get asked crap questions about how they can "juggle it all" and there are still lots of jobs and roles that society still expects will be held by a man.


Anyway, if we go back to thinking of the positive, I like the way that fashion has historically offered an opportunity for women to be business owners and bosses. And because there were so many expectations about gender roles and what it meant to be a "good wife," not being married seemed to be an advantage. Nowadays it is much easier to build an healthy and mutually supportive marriage, but back then being unmarried/widowed/divorced seemed to be helpful in getting a patriarchal society to recognize a woman's accomplishments as her own.


I DID, ACTUALLY

Helen Igoe grew up in Minnesota, and left home as an unmarried, old maid at 35. She came to Seattle and started working in a department store, which eventually sent her to Europe as a buyer. In 1910 she opened her own store: the Helen Igoe Shop for Women. In 1912 she married a man from St. Louis. Rather than return "home" to the midwest to be a good little wife, he had to move to Seattle to be with her. While socially she was sometimes referred to as Mrs. George Stalker, her maiden name tied her to her business and she still continued to be professionally known as Helen Igoe. After only five years of marriage his name disappears from the city directories and a quiet divorce request is printed in the papers a year later. She continued to be known as Helen Igoe for the rest of her life. Well, that and an "Innovator," "Fashion Dictator" and "Seattle's Hattie Carnegie."


Louise Schwaebele became Madame Thiry when she married in 1903. She and her husband were from France, but after they married they moved to Nome, Alaska to see about this gold rush everyone was talking about. Frontier life maybe wasn't her favorite thing, so she travelled back to Paris with her young son and got the idea of bringing fashionable things back to sell in Nome and Seattle (at that time you basically couldn't get to Alaska without going through Seattle). That was going well as a little side business, but then her husband returned to France to fight in WWI and he didn't return. Devastated and on her own, expanding her business was one of the few options available to support herself and her son. She moved permanently to Seattle and had a successful shop in the 1920s which sold original designs and imported fashion from France.


There is also, of course, Josephine Nordhoff. She and her husband Edward founded The Bon Marché department store in Seattle. They met when they were both working at a store in Chicago, and married when he was 29 and she was just 16. Two years later they moved to Seattle and started The Bon Marché  They both worked hard to make the store a success, but here is a case where I think that if Josephine had died young, gender bias would have given Edward full credit for "founding" the store. As it happened, Edward died in 1899 and Josephine was the one who continued for the next twenty years. She did remarry and have help from both her new husband and a brother-in-law, but she was recognized as one of the founders of the store and one of the keys to its massive success. On the day of her funeral in 1920, all the downtown retailers closed to honor her.


Recently, I've uncovered yet another example, and this one is juicy. Since it is probably going to make its way into my fashion lecture next year I want to not give away everything, so for now I will just call her Ms. X. She was married at 17 and she and her husband came to Seattle right around the turn of the 20th century. In her 30s she gets a job as the head of ladies ready-to-wear at a large Seattle store. After a few years she files for divorce from her husband claiming non-support. The newspaper slyly remarks that "Mrs. X is a department manager for [store]. The directory gives no occupation for Mr. X."


Two years later, her husband attempts to take her employer to court for causing his wife to "leave her home" which "alienated her affections." He insinuates there may have been a romantic connection between his wife and her boss. The case is thrown out because it is discovered that the husband's lawyer hired a blackmailer to tamper with witnesses. I wasn't able to find confirmation that the divorce went through (it was really hard to get one back in the day) but the husband certainly seems to disappear from the picture. The year after the trial Ms. X opens her own shop.


One thing you should know about most fashion historians is that you can really push our buttons if you start dismissing what we do as "just frivolous fluff" that is "only interesting to women." Basically, we'll be like:


Look, I'm not saying everyone needs to be interested in fashion. If you feel awesome and confident in something that would make a Vogue editor gag SO WHAT. You be you. But when you say dismissively that fashion is "only interesting to women" it starts sounding a awful lot like "things that are interesting to women are automatically less important." And that is intolerable BS. For the women above, fashion was more than "frivolous fluff." It was independence, financial stability, a creative outlet, an opportunity build a business on their own terms, and a way to step outside the limiting roles that society had dictated.  It was life.

Saturday, July 12, 2014

The Fashion Historian's Guide to Seattle

I've been meaning to do this one for a while, and was re-inspired this week when a grad school classmate of mine was in town. If you are a fashion historian (either visiting or local) what are best spots to visit in Seattle?

Obviously I could do a miles-long list of "on this site was ____" or "the offices for this company are at____" but I limited it to things that are open to the public and actually have something that you can go in and see.

So put on your walking shoes and suit up in your best outfit, we are going on a Seattle Fashion History Tour!


The Museum of History and Industry - 860 Terry Ave N 

Duh. Of course you have to visit my museum. If you don't know already, MOHAI tells the story of Seattle and the Puget Sound region. There are about ten dressed mannequins on display in the core exhibit True Northwest: The Seattle Journey, as well as lots of interesting smaller things in cases. The actual selections get rotated every six months, but the core themes remain the same. Some highlights include:

- An 1850s-60s dress representing something that could have been worn by an early pioneer
- A late 1880s bustle dress in the faux shop window for local department store Toklas & Singerman.
- A 1920s couple (guy in a tux, lady in an evening dress) in the section about Prohibition
- A 1950s outfit in the section about postwar changes, usually something known to have been purchased from a Seattle business
- A face-off of World's Fair outfits- something suitable for the 1909 Alaska Yukon Pacific Exposition across from a modernist "Century 21" look from the future-focused 1962 fair.

The photo above is of a Luly Yang couture gown with the Rainier R neon sign reflected in the case. The dress is on display until early August, but don't worry-- I have have something else jaw-dropping to go in its spot.


Nordstrom / Frederick & Nelson - 500 Pine Street
Nordstrom History on Historylink
Frederick & Nelson History on Historylink 
Frederick & Nelson c. 1918. MOHAI Photo Collection

Nordstrom is a fabulous and fashionable Seattle institution. With cash in his pocket from the Klondike Gold Rush, John Nordstrom set up a shoe store in 1901. In 1963 the Nordstrom family bought Best's Apparel and started selling clothes too. By 1985 it was the largest specialty store chain in the country, surpassing previous title-holder Saks Fifth Avenue. The flagship store in downtown Seattle is lovely and inviting. And make sure to visit the fourth floor (just before you cross over the skybridge to Pacific Place) there are usually a few historic shoes on display from the archives.


The building itself is historic, and Nordstrom is a relatively new tenant. When I grew up, Nordstrom was in a hodgepodge of connected buildings on the opposite corner.  This grand retail temple used to be home to Frederick & Nelson, a beloved department store founded in 1891. I like to say that the building at 500 Pine has been responsible for changing and revitalizing the downtown retail core three times. When Donald Frederick decided to build the building, people called it "Frederick's Folly" because it was so far uptown from 2nd Ave, which was the hub of the retail core at the time. But when it opened in 1918 it was a big success, and other retailers soon moved to be nearby. In the early 50s the building underwent a major renovation which included adding several floors. This set off a chain reaction of other renovations and expansions of the downtown stores. Frederick & Nelson went bankrupt in 1992 and Nordstrom moved in in 1998, sparking revitalization in the area once again.


The Bon Marché - 1601 3rd Avenue 
The Bon Marché on Historylink
Photo from Patricksmercy on flickr 

This building is now a Macy's, but every good Seattleite slips up now and then and calls it "The Bon." Founded in 1890 by Josephine and Edward Nordhoff, and named for the famous French department store, The Bon Marché was a major retail player in Seattle for over 100 years. This gigantic art-deco flagship store was built in 1928. There are still a few touches that will take you back in time: the elegant woodwork around the elevators on the first floor, the faded elegance of the ladies restroom on the second floor, and the bronze artwork "The Spirit of Northwest Industry" which is on either side of the escalators between the basement and the first floor. The piece was made in 2000, but the top eight panels (Fisheries, World Trade, Aviation, Mining, Forestry, Manufacturing, Agriculture, Construction) are reconstructions of bronze panels made in 1929. The artist then added two new panels: Retail and Technology. The "Retail" panel, of course, shows The Bon Marché and has a profile of Josephine Nordhoff. 


If you read the article on Historylink, you'll find out why Josephine gets top billing over her husband Edward. #InspiringLadies


Ruth Hill - 411 University St
Located inside the Fairmont Olympic Hotel

Photo courtesy of Ruth Hill

In 1910 a woman named Helen Igoe opened a speciality fashion shop unlike anything else in Seattle. Her taste was exquisite and she carried clothing from the top houses in Europe and New York. In 1950 she retired and sold her business to John Doyle Bishop. He then also became one of the most respected, beloved, and successful retailers in the city. After his death in 1980 the shop struggled and relocated to the historic Olympic hotel. When it was on the verge of bankruptcy a woman named Ruth Hill took over the business and brought it back to life. She renamed it after herself in 1990 (because important things can only happen in years ending in zero, apparently). Ruth and her husband David are wonderful, and what is astonishing about this shop is that even though the styles have changed, there is a lot about the business which would be familiar to Helen and John. Ruth still goes on buying trips to select stock for the store, and has built personal relationships with the vendors and family businesses she buys from. One of the chandeliers from John Doyle Bishop's original store is still in use--you can see it in the picture above.


Luly Yang Couture - 1218 4th Ave
photo from LulyYang.com

Luly has only been in business since 2000, but she is the real deal. The word "Couture" gets thrown around a lot these days (or in the case of recently defunct crap fashion company Juicy Couture, thrown in the garbage) and people have forgotten what it means. But I have been to the workroom downstairs and seen with my own eyes the place where a master seamstress and her team carefully construct exquisite garments. There are even mannequins padded up to the size of devoted, repeat customers--just like in 1950s photos of couture houses in Paris. You can't tour the workroom for a regular visit, but you can go in the shop and look around. The staff is incredibly nice. There are also lots of gorgeous gowns to see in the windows.

Filson - 1555 4th Avenue South
Photo from Filson.com

Speaking of the real deal: Filson. Filson started up during the Klondike Gold Rush by supplying rugged outdoor gear to Alaska-bound miners. Then they were known for outfitting loggers. Their stuff is still exceptionally well-made, and almost all of it still sewn right here in Seattle. Everything they make is available at their flagship store, and many of the styles are historic designs which have been unchanged since the early 20th century. I'm told they do factory tours (just a few blocks away from the flagship store) by appointment. I haven't done it yet, so I can't guarantee how it works. But try calling the main Seattle store or using the "contact us" box on the website. Worth a try!


EMP Museum - 325 5th Ave N

EMP is sometimes a bit of a punchline.  Along with "carry umbrellas" and "go up the Space Needle" it often shows up on lists of "things real Seattleites don't do." It was conceived as a Jimi Hendrix oriented, high-tech rock n' roll museum, and is housed in a weird blob of a Frank Gehry building. Currently its focus has broadened (EMP originally stood for "Experience Music Project") and the new tagline is "Music + Sci-Fi + Pop Culture." So, it is kind of a weird place with some identity issues. But the thing that everyone forgets is that it is actually full of cool stuff.  Last time I went, there were costumes from Game of Thrones and The Princess Bride, the sweater Kurt Cobain wore in the video for Smells Like Teen Spirit, Macklemore's fur coat from the Thrift Shop video, and some jaw-droppingly fab Jimi Hendrix outfits that were made for him in London (see photo above). We are talking bespoke-quality stuff with 60s Peacock Revolution style, and worn by Jimi Freaking Hendrix. That is some hardcore fashion history provenance right there folks.


The Henry Art Gallery - 15th Ave NE & 41st St
Schiaparelli Sweater, henryart.org

Ok, this one takes a bit more work on your part, and is really for the serious historians who are knee-deep in some cool research project. The Henry houses a collection of costumes and textiles collected by various University of Washington departments. The museum specializes in contemporary art, and so the fashion collection is rarely on display.  But they do have a study center and with a little advance planning you can make an appointment and see something cool.

Start by searching their online database and find something you want to see. Then, go here and read up on their polices and their hours. Once you are ready to commit, use the contact info on that page to request an appointment.


Ok, now get out there and see the historical fashion sights of Seattle! And let me know if you find a destination you think I should add to the list.

Saturday, May 3, 2014

Curse Words and Carpet

I have two unrelated stories to share this week. Deal with it. 

Pants and Shorts

On Wednesday I went to the main museum to help dress a small army of mannequins in soccer uniforms (file that under things that don't happen to costume curators at the Met). MOHAI was doing a Free First Thursday promotion with the Seattle Sounders, and the Sounders had gotten really excited and sent over a literal truckload of memorabilia to display. A few weeks ago I was asked about mannequins they could use for jerseys, but then it sounded like they were bringing their own so I sort of forgot about it. But then on Monday I found out that yes, they were providing eight mannequins of their own, but sending twelve outfits, so could they use four of ours? And if ours had legs that would be great because two uniforms include pants and shorts. 

WHAT? PANTS AND SHORTS?!?!?!?!!!!!!!!!!!!!!


Already I was dubious about just throwing some jerseys on random mannequins and hoping they didn't look saggy and terrible, but if there is one thing I've learned about dressing mannequins it is that men's pants are infuriatingly difficult. Suddenly the anatomy of male thighs and butt becomes the greatest mystery of the universe and you are caught in a battle between having the pants fall down, and sculpting a noticeably gigantic junk-in-the-trunk situation. So I practically screamed "PANTS AND SHORTS?!" when I found out. 

But sometimes there are advantages to working with things that don't qualify as high fashion. It was like "AUGH HOW ARE WE GOING TO GET THESE PANTS TO STAY UP oh hey elastic waistband. Done."


Later in the week I was working on a not easy mannequin with one of my longtime dresser helpers and was telling her the story. She laughed and said that coming out of my mouth "PANTS AND SHORTS" sounded like I was cursing. So I could start saying things like "PANTS AND SHORTS we have a lot of vacuuming to do" or "PANTS AND SHORTS that mannequin looks creepy."

Of Course He Did

This week I also had a very fun meeting at St. James Cathedral. I've been noticing that almost all of the Seattle fashion personalities I research (John Doyle Bishop, Helen Igoe, and Madame Thiry) were Catholics who attended St. James. In some cases they also donated things to the Cathedral, so there was some cool stuff to see. 

The BEST factoid I learned was about John Doyle Bishop. The Cathedral has gone through several renovations and sometime in the 1960s or 70s they were looking to put in new carpet. Apparently JDB offered to pay the full amount for the carpet, but with one stipulation: it had to be his favorite shade of green. 

My Money. My Rules.

And they were like "Great! Green it is!"

stjames-cathedral.org

Of course he did. Of course John Doyle Bishop didn't go to some local parish church. You better believe John Doyle Bishop attended mass at the Cathedral, and made sure that space was done up in his colors. I mean, why spend your Sundays in a place that doesn't match your own fabulousness? 

Jealous?

The carpet was removed in the 1990s as part of yet another renovation, but apparently they still have pieces of it. And holy PANTS AND SHORTS am I going to borrow some of it if I ever do a JDB exhibit. 

Saturday, April 26, 2014

Seattle Fashion Factoids

Inspired by Bishop Rickel, I'm going to try to post more straight-up Seattle fashion stories on this blog.

First up, travel tales with Helen Igoe.

Photo from Charmed Land Women's Magazine, December 1926

Helen Igoe came to Seattle in 1905, when she was 35 years old. She went to work at the Seattle department store MacDougall-Southwick as a buyer. In 1907 she was part of a historic first for the city. On April 21, 1907 The Seattle Times had this notice:

Miss Gladys Allen and Miss Helen L. Igoe, two of the buyers of the MacDougall & Southwick company will leave Seattle for Europe Tuesday next, sailing from New York City May 4. Purchases will be made at this time for the fall season, as well as for the new store at Second Avenue and Pike Street, which will be opened early next year. 

This firm is the first in Seattle to send their buyers to the European markets, and this action has been found necessary on account of the increasing demand for exclusive merchandise of high quality.

So Helen and her pal Gladys (or bitter rival? I actually don't know anything about Gladys) were the first people from a retail establishment to be sent from Seattle to Europe for the purpose of buying fashion.

In 1910 Helen opens her own shop, and keeps making annual trips to Europe.

A couple decades later, she pops up in the papers for another important travel expedition, this time covered by the New York Times. Turns out Helen was one of the first brave passengers to travel across the country via "Air Rail". This was in 1928, and the concept of flight as a means of passenger transport was still in its infancy. Since a complete all-airline trip across the US wasn't totally feasible, "Air Rail" was the newest, fastest airplane-train combo possible. This is from page 1, New York Times, September 2nd 1928:

Broker First Patron West on Air Rail Route; Seattle Woman Uses It To Catch Ship Here

...Miss Helen Igoe, a Seattle business woman, expects to arrive here tomorrow morning in time to board a liner to Paris. She left Seattle Thursday evening to make a trip to New York, air and rail, in eighty-one hours and forty minutes, thus saving seven hours and twenty minutes over the all-rail schedules.

But Helen wasn't just a lady of the sea, air, and rails. She also enjoyed driving around Seattle in her very own automobile. In fact, as a local icon of style, her taste in vehicles was used to advertise a car company.

Seattle Times, April 6, 1919

While unconfirmed by the historical record, I think it is fair to assume she pimped it out with a gramophone and cruised around blasting the 1919 equivalent of Beyonce. 

Sunday, March 23, 2014

The Age of Discovery

There is a great article on the New York Times this week about the thrill and challenge of museum storage facilities. Click here: "Golden Age of Discovery…Down in the Basements" 

For me, right now, it does feel like a golden age of discovery, because I am researching stories that no one has ever researched before, and finding things in the MOHAI collection that have been neglected for decades. At the moment, most of it is centered around an upcoming lecture I'm giving titled From Paris to Seattle: The Fashion Careers of Helen Igoe and Madame Thiry.


After the success of the John Doyle Bishop lecture last year, Public Programs was happy to let Fashion Nerd Afternoon with Clara become a yearly offering (official called the Annual MOHAI Fashion Lecture). I was super excited about this until I realized that when I picked JDB as a subject, all the research was already in the can. I had done my master's thesis on him and so it just required putting together a few slides and condensing the story into 40 minutes. But this year, and every year after, I will need to hit the research shelves and learn new things. Which is difficult, time consuming, and awesome.


As far as I know, no one has researched either of these women before, and neither of them have archives or personal papers that I can access. So I'm grasping at every little newspaper mention, magazine advertisement, and city directory listing I can find. On the one hand, it means that I'm weaving a tale out of pretty scant information, but on the other it makes every little morsel that much more exciting. For example, just by looking at address listings in the city directories, I was able to piece together the story of a failed marriage and exactly when the gentleman in question was booted out.

HUSBANDS TO THE LEFT: THE HELEN IGOE STORY

And as luck would have it, I found a fantastic Madame Thiry dress this week during inventory. It was crammed into a tiny box with another 1920s dress, yet was in remarkably good shape. It was so chic and modern that I was almost fooled into thinking it was from the 1960s. Which is cool because her son ended up being a raging architectural modernist whose heyday was the 1950s and 60s. Coincidence? I'd like to think not. 

As I've been doing this research and looking at dresses in the collection, I'm also coming across lots of labels, names, and ads for Seattle stores and companies that I've never heard of. It was hard not to get immediately sidetracked, but it is thrilling to know that there are so many stories still waiting to be uncovered.